{"id":874,"date":"2023-01-21T15:44:56","date_gmt":"2023-01-21T15:44:56","guid":{"rendered":"https:\/\/www.spatialhistory.net\/cities\/?p=874"},"modified":"2023-03-17T12:08:13","modified_gmt":"2023-03-17T12:08:13","slug":"protests-against-modernisation-how-japanese-authors-document-transportation-infrastructure","status":"publish","type":"post","link":"https:\/\/www.spatialhistory.net\/cities\/2023\/01\/protests-against-modernisation-how-japanese-authors-document-transportation-infrastructure\/","title":{"rendered":"Protests Against Modernisation: How Japanese Authors Document Transportation Infrastructure"},"content":{"rendered":"<p><span style=\"font-weight: 400\">Trains and rail lines feature prominently in Japanese literature on modernization and growth, but writers are often critical of the ways in which new modes of transportation transform the areas around them.\u00a0 In Murakami Haruki\u2019s introduction to <\/span><i><span style=\"font-weight: 400\">Sanshiro<\/span><\/i><span style=\"font-weight: 400\"> by Natsume Soseki, he describes the parallels between his life and the novel\u2019s namesake, sixty years apart.\u00a0 In 1908, Sanshiro travels for two days to reach Tokyo by steam train, while Murakami makes a similar trip in under four hours on the bullet train.<sup><a href=\"#footnote_1_874\" id=\"identifier_1_874\" class=\"footnote-link footnote-identifier-link\" title=\"Natsume Soseki, Introduction to Sanshiro (United Kingdom: Penguin Books Limited, 2009).\">1<\/a><\/sup> Despite the difference in time and circumstances, their reactions to trains and descriptions of them in literature are strikingly similar.\u00a0 Both Soseki and Murakami associate trains with the perils and confusion of modernity and the challenges posed by rapid technological change.\u00a0 These literary depictions are not only allegorical, but reflect the reality of political protest against the consequences of modernizing transportation.<\/span><\/p>\n<p><span style=\"font-weight: 400\">In Murakami\u2019s 2014 novel, <\/span><i><span style=\"font-weight: 400\">Colorless Tsukuru Tazaki and His Years of Pilgrimage<\/span><\/i><span style=\"font-weight: 400\">, the train-obsessed Tsukuru sees trains and stations as spaces of possibility, beginnings, and endings, but the theme of transport is also associated with the character\u2019s personal trauma and struggles with living in a modern world.\u00a0 In the novel, trains provide snapshots of \u201cmodern\u201d life and the struggles which come with it: \u201cThere was still some time before the train opened its doors for boarding, yet passengers were hurriedly buying boxed dinners, snacks, cans of beer, and magazines at the kiosk. Some had white iPod headphones in their ears, already off in their own little worlds. Others palmed smartphones, thumbing out texts, some talking so loudly into their phones that their voices rose above the blaring PA announcements\u2026 Everyone was boarding a night train, heading to a far-off destination. Tsukuru envied them. At least they had a place they needed to go to.\u201d<sup><a href=\"#footnote_2_874\" id=\"identifier_2_874\" class=\"footnote-link footnote-identifier-link\" title=\"Haruki Murakami, Colorless Tsukuru Tazaki and His Years of Pilgrimage (London: Random House, 2014), 285.\">2<\/a><\/sup> While trains symbolize the character Tsukuru\u2019s internal turmoil, Murakami also uses physical proximity to trains to describes his own personal experiences of living in poverty.\u00a0 He remembers that \u201c the National Railways\u2019 Ch\u016b\u014d Line ran by just below the window, which made it horribly noisy\u2026 We used to have long freight trains running by until the sun came up.\u201d<sup><a href=\"#footnote_3_874\" id=\"identifier_3_874\" class=\"footnote-link footnote-identifier-link\" title=\"Soseki, Introduction to Sanshiro.\">3<\/a><\/sup> Not only do trains represent inner emptiness in his novel, but in his own life they are a physical manifestation of his financial circumstances in the 1970s.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Despite the separation between Murakami and Soseki, both authors associate the noise of trains with modernity, and characterize it as an unwanted inconvenience.\u00a0 In contrast to Murakami\u2019s noisy home, Sanshiro describes his University campus as being \u201cextraordinarily quiet. Not even the noise of the streetcars penetrated this far.\u201d<sup><a href=\"#footnote_4_874\" id=\"identifier_4_874\" class=\"footnote-link footnote-identifier-link\" title=\"Soseki, Sanshiro, Chapter 2.\">4<\/a><\/sup> While the expansion of transportation is often presented as a symbol of progress in historical<\/span> <span style=\"font-weight: 400\">accounts, Murakami and Soseki question whether the benefits of modernized transportation are truly positive for all.\u00a0 In <\/span><i><span style=\"font-weight: 400\">Sanshiro<\/span><\/i><span style=\"font-weight: 400\">, a member of the University faculty exclaims, \u201cThey\u2019ve built so damned many lines the past few years, the more \u2018convenient\u2019 it gets, the more confused I get.\u201d<sup><a href=\"#footnote_5_874\" id=\"identifier_5_874\" class=\"footnote-link footnote-identifier-link\" title=\"Ibid.\">5<\/a><\/sup> His comment reveals the conflict between the convenience of modernization and the disorientation it generates.<\/span><\/p>\n<p><span style=\"font-weight: 400\">The metaphorical associations between new modes of transportation and \u201cconfusion\u201d in literature not only reflect the attitudes of certain communities towards government efforts of modernization, but are also effective forms of political protest.\u00a0 In Nishiguchi Katsumi\u2019s semi fictional account of the Japanese National Railway\u2019s proposal of a new line connecting Tokyo and Kyoto, he describes the reactions of Kyoto residents who \u201care drawn in at first but gradually realize that they are about to lose their homes.\u201d<sup><a href=\"#footnote_6_874\" id=\"identifier_6_874\" class=\"footnote-link footnote-identifier-link\" title=\"Jessamyn Abel, &ldquo;Invisible Infrastructures of Protest in Kyoto,&rdquo; in Dream Super-Express: A Cultural History of the World&rsquo;s First Bullet Train (Redwood City: Stanford University Press, 2022), 20.\">6<\/a><\/sup> This is a process that repeats throughout history from the introduction of steam trains in 1872, street cars in 1903, and bullet trains in 1964, all of which rapidly changed the areas they connected and crossed.<sup><a href=\"#footnote_7_874\" id=\"identifier_7_874\" class=\"footnote-link footnote-identifier-link\" title=\"Ailsa Freedman, &ldquo;Introduction,&rdquo; in Tokyo in Transit : Japanese Culture on the Rails and Road (Stanford: Stanford University Press, 2011), 5-6; Abel, &ldquo;Invisible Infrastructures of Protest in Kyoto,&rdquo; 34.\">7<\/a><\/sup> These continuous efforts to modernize transportation heavily impacted communities, but often their negative effects are overlooked in official discourse and historical narratives.<sup><a href=\"#footnote_8_874\" id=\"identifier_8_874\" class=\"footnote-link footnote-identifier-link\" title=\"Abel, &ldquo;Invisible Infrastructures of Protest in Kyoto,&rdquo; 20-21.\">8<\/a><\/sup><\/span><\/p>\n<p><span style=\"font-weight: 400\">Literary representations of transportation not only demonstrate its symbolic power, but they also document the impact on communities and the attitudes of citizens, serving as a form of protest.\u00a0 In <\/span><i><span style=\"font-weight: 400\">Sanshiro<\/span><\/i><span style=\"font-weight: 400\">, \u201cOne streetcar line was to have run past the Red Gate, but the University had protested and it had gone through Koishikawa instead.\u201d<sup><a href=\"#footnote_4_874\" id=\"identifier_9_874\" class=\"footnote-link footnote-identifier-link\" title=\"Soseki, Sanshiro, Chapter 2.\">4<\/a><\/sup> The University\u2019s ability to lobby the government into redirecting the train line demonstrates the influence of powerful organizations to shape infrastructure, while also revealing the places which are powerless to avoid the disruption of their communities.\u00a0 While the University remains quiet and undisturbed, other communities will be transformed and perhaps destroyed by the \u201cnoise\u201d of modernization.\u00a0 Nishiguchi\u2019s account provides a case study of this situation fifty years later in 1958.\u00a0 JNR\u2019s plan for the proposed the line connecting Tokyo and Kyoto overlooked those \u201cfor whom the personal costs would be highest: people evicted from their homes and workplaces or condemned to life under the shadow of busy elevated tracks.\u201d<sup><a href=\"#footnote_9_874\" id=\"identifier_10_874\" class=\"footnote-link footnote-identifier-link\" title=\"Abel, &ldquo;Invisible Infrastructures of Protest in Kyoto,&rdquo;&nbsp;39.\">9<\/a><\/sup>\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">While literature often seems detached from reality, the views of Soseki, Murakami, and Nishiguchi reveal that negative attitudes towards modern transportation networks existed for more than a century.\u00a0 Rather than criticizing \u201cmodernisation\u201d itself, their works address the human costs which exist in any fast-paced movement of modernisation. They provide insight into the effects of rapid technological advancement on communities with little political power and document the perspectives of those who don\u2019t feature in historical narratives.<\/span><\/p>\n<ol class=\"footnotes\"><li id=\"footnote_1_874\" class=\"footnote\">Natsume Soseki, Introduction to <\/span><i><span style=\"font-weight: 400\">Sanshiro<\/span><\/i><span style=\"font-weight: 400\"> (United Kingdom: Penguin Books Limited, 2009).<span class=\"footnote-back-link-wrapper\"> [<a href=\"#identifier_1_874\" class=\"footnote-link footnote-back-link\">&#8617;<\/a>]<\/span><\/li><li id=\"footnote_2_874\" class=\"footnote\">Haruki Murakami, <\/span><i><span style=\"font-weight: 400\">Colorless Tsukuru Tazaki and His Years of Pilgrimage<\/span><\/i><span style=\"font-weight: 400\"> (London: Random House, 2014), 285.<span class=\"footnote-back-link-wrapper\"> [<a href=\"#identifier_2_874\" class=\"footnote-link footnote-back-link\">&#8617;<\/a>]<\/span><\/li><li id=\"footnote_3_874\" class=\"footnote\">Soseki, Introduction to <\/span><i><span style=\"font-weight: 400\">Sanshiro<\/span><\/i><span style=\"font-weight: 400\">.<span class=\"footnote-back-link-wrapper\"> [<a href=\"#identifier_3_874\" class=\"footnote-link footnote-back-link\">&#8617;<\/a>]<\/span><\/li><li id=\"footnote_4_874\" class=\"footnote\">Soseki, <\/span><i><span style=\"font-weight: 400\">Sanshiro<\/span><\/i><span style=\"font-weight: 400\">, Chapter 2.<span class=\"footnote-back-link-wrapper\"> [<a href=\"#identifier_4_874\" class=\"footnote-link footnote-back-link\">&#8617;<\/a>]<\/span><span class=\"footnote-back-link-wrapper\"> [<a href=\"#identifier_9_874\" class=\"footnote-link footnote-back-link\">&#8617;<\/a>]<\/span><\/li><li id=\"footnote_5_874\" class=\"footnote\">Ibid.<\/span><span style=\"font-weight: 400\"><span class=\"footnote-back-link-wrapper\"> [<a href=\"#identifier_5_874\" class=\"footnote-link footnote-back-link\">&#8617;<\/a>]<\/span><\/li><li id=\"footnote_6_874\" class=\"footnote\">Jessamyn Abel, \u201cInvisible Infrastructures of Protest in Kyoto,\u201d in <\/span><i><span style=\"font-weight: 400\">Dream Super-Express: A Cultural History of the World&#8217;s First Bullet Train<\/span><\/i><span style=\"font-weight: 400\"> (Redwood City: Stanford University Press, 2022), 20.<span class=\"footnote-back-link-wrapper\"> [<a href=\"#identifier_6_874\" class=\"footnote-link footnote-back-link\">&#8617;<\/a>]<\/span><\/li><li id=\"footnote_7_874\" class=\"footnote\">Ailsa Freedman, \u201cIntroduction,\u201d in <\/span><i><span style=\"font-weight: 400\">Tokyo in Transit : Japanese Culture on the Rails and Road<\/span><\/i><span style=\"font-weight: 400\"> (Stanford: Stanford University Press, 2011), 5-6; Abel, \u201cInvisible Infrastructures of Protest in Kyoto,\u201d <\/span><span style=\"font-weight: 400\">34.<span class=\"footnote-back-link-wrapper\"> [<a href=\"#identifier_7_874\" class=\"footnote-link footnote-back-link\">&#8617;<\/a>]<\/span><\/li><li id=\"footnote_8_874\" class=\"footnote\">Abel, \u201cInvisible Infrastructures of Protest in Kyoto,\u201d 20-21.<span class=\"footnote-back-link-wrapper\"> [<a href=\"#identifier_8_874\" class=\"footnote-link footnote-back-link\">&#8617;<\/a>]<\/span><\/li><li id=\"footnote_9_874\" class=\"footnote\">Abel, \u201cInvisible Infrastructures of Protest in Kyoto,\u201d<\/span><span style=\"font-weight: 400\">\u00a039.<span class=\"footnote-back-link-wrapper\"> [<a href=\"#identifier_10_874\" class=\"footnote-link footnote-back-link\">&#8617;<\/a>]<\/span><\/li><\/ol>","protected":false},"excerpt":{"rendered":"<p>Trains and rail lines feature prominently in Japanese literature on modernization and growth, but writers are often critical of the ways in which new modes of transportation transform the areas around them.\u00a0 In Murakami Haruki\u2019s introduction to Sanshiro by Natsume Soseki, he describes the parallels between his life and the novel\u2019s namesake, sixty years apart.\u00a0 [&hellip;]<\/p>\n","protected":false},"author":21,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[11,98,97],"class_list":["post-874","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-japan","tag-literature","tag-transportation"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.spatialhistory.net\/cities\/wp-json\/wp\/v2\/posts\/874","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.spatialhistory.net\/cities\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.spatialhistory.net\/cities\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.spatialhistory.net\/cities\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/www.spatialhistory.net\/cities\/wp-json\/wp\/v2\/comments?post=874"}],"version-history":[{"count":3,"href":"https:\/\/www.spatialhistory.net\/cities\/wp-json\/wp\/v2\/posts\/874\/revisions"}],"predecessor-version":[{"id":1104,"href":"https:\/\/www.spatialhistory.net\/cities\/wp-json\/wp\/v2\/posts\/874\/revisions\/1104"}],"wp:attachment":[{"href":"https:\/\/www.spatialhistory.net\/cities\/wp-json\/wp\/v2\/media?parent=874"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.spatialhistory.net\/cities\/wp-json\/wp\/v2\/categories?post=874"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.spatialhistory.net\/cities\/wp-json\/wp\/v2\/tags?post=874"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}